The Myth of the Muttering Madman is a project in self-realization.

Sunday, January 21, 2007

Tastes of Yukio Mishima

Corruscating excerpts from Yukio Mishima.

Once I sat for hours on the grass watching a colony of ants engaged in transporting minute particles of red earth. It wasn't a matter of the ants having aroused my interest. On another occasion I stood for ages outside the university, staring like a dolt at the thin wisp of smoke that rose from a factory chimney at the back. It wasn't that the smoke had caught my fancy. At such times I felt as though I was drenched up to my neck in the existence that was myself. The world outside me had cooled down in parts and had then been reheated. How shall I put it? I felt that the outside world was spotted and again that it was striped. My inner being and the outer world slowly and irregularly changed places. The meaningless scene that surrounded me shone before my eyes; as it shone, it forced its way into me and only those parts of the scene that had not entered continued to glitter vividly in a place beyond.

'What about it?' he said. 'Something broke inside you just now, didn't it?' I can't bear to see a friend of mine living with something inside him that is so easy to break. My entire kindness lies in destroying such things.'

I did not expect that I should encounter the sea here on any intimate terms, although of course a jeep might come along from behind and push me into the sea just for fun.

The mouth of the river was unexpectedly narrow. The sea lay there indistinctly mingled with the dark cumuli of clouds, melting into the river, assaulting it. In order to get a tactile perception of this sea, I still had to walk a considerable distance with the wind blowing fiercely on me from across the plains and the rice fields. The wind was drawing its patterns over the entire surface of the sea. It was because of the sea that the wind was thus wasting its violent energy on these deserted fields. And the sea was a sea of vapor that covered this wintry area, a peremptory, dominant, invisible sea.

from The Temple of the Golden Pavilion - Yukio Mishima

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